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Aberri Eguna
Creating the Day of the Basque Homeland by John Ysursa
Aberri Eguna of the day of the Basque homeland is celebrated in conjunction with Easter in large parts of
the Basque country, particularly those regions influenced by the Basque National movement about a
century ago.
Arana coined the phrase: "Jaungoikoeta Lege Zaharrak" ("God and the Old Laws") which
became the slogan of the PNV-EAJ or Basque Nationalist Party that he formed. He consistently sought to
fuse Basque consciousness with Roman Catholicism. In those early years of the movement, to be Basque
meant being catholic and regaining the fueros or old laws and the privileges that the southern Basques
had lost in the Carlist wars of the 19th century.
In the last two decades of the nineteenth century. Basque
ethnic sentiment was extremely weak. Arana set as his first objective the revival of the ancient Basque
language, Euskerra, to serve as a functional medium to reintegrate Basques. In addition, he also created
the
new word Euzkadi (the "s" has now replaced the "z" spelling in Europe) which denoted the ethnic nation
he envisioned of the seven historic provinces. He also designed the Ikurrina or Basque Flag of
red, white and green.
Arana's efforts to unify the Basque people did not please the Spanish Authorities. During the last eleven
years of his life he spend more time in jail than he did out. He died in 1903 at the early age of 38 before
he
accomplished his ambitious goals. He had hopes that the Basque could recover their fueros and thereby
regain a degree of independence from Spanish authorities.
Nonetheless he succeeded in creating a modern Basque nationalist movement with an ideology and
set of symbols. His followers carried on and worked to make the PNV-EAJ nationalist party a voice for
the
Basques but their efforts were halted by the Spanish military dictatorship of Miquel Primo de Reviera who
in 1923 outlawed the PNV-EAJ party. Adherents were forced underground, but with the proclamation of
the Second Republic that followed this period of repression, Basque nationalists were free once again to
work for unity among Basques.
The PNV-EAJ sought to encourage Basque unity to send a message to Madrid that the presence of
Spanish Authorities in the Basque country represented the oppression of a strong and vital
people. Organizers put forth candidates in local and provincial elections, produced newspapers, arranged
rallies, encouraged the Basque language and song and as well as folk-dancing(this is when the green sash
was substituted for the red sash so that the dancer represented the colors of the Basque flag}.The aim was
to forge a proud Basque consciousness among a people that had been repeatedly been told that they were
backward and archaic. In the early 1930's these efforts culminated with annual Easter celebrations of the
Basque's national identity.
The first Aberri Eguna was held on Easter Sunday, March 25,1932.Sixty-five thousand celebrated
together
together in Bilbao. Being true to the party's slogan, the festival fused both Basque culture and religion.
The
early nationalists promoted Catholicism and the choice of Easter, the major religious celebration in the
Church's calendar, as the day to celebrate the homeland was no coincidence. Just as Easter marked the
resurrection of Jesus Christ and the beginning of the church's year. Aberri Eguna also marked the rebirth
of a people who had found themselves and their destiny.
This fusion of Basque consciousness and
religion is clearly outlined in the schedule for one of the last celebrations of that decade. In Bilbao the
Easter Sunday of 1937 began with Txistulariak processing through the streets before the morning
pilgrimage to the shrine of Our Lady of Begonia and a communion service. This was followed by a large
outdoor mass in the city's soccer stadium. After mass various dance groups paraded through the streets
performing at various times. Song performances and sporting events were also organized for the day's
festivities.
These early celebrations of the Basque's national identity ended with the fall of the Basque provinces to
the insurgent rebel forces of General Franco during the Spanish Civil War. The victors instigated a
period
of repression and banned most all things Basque. The repression of the Franco Regime, however, failed to
extinguish Basque nationalist sentiment. Beginning in 1964 nationalists began to secretly organize the
celebration of Aberri Eguna. Basque nationalists surprised Spanish Authorities with a secret Aberri
Eguna
celebration in Gernika in 1964.During the Franco era Spanish Authorities labored to halt these "illegal"
celebrations of Basque culture. When they discovered the location of an upcoming Aberri Eguna, and
effectively closed down the city, Basque organizers simply changed the site and carried on. These
celebrations finally became legal in Spain with the death of Franco and granting of regional autonomy to
the Spanish region of the Basque country in the late 70's.
Some Basque American communities also celebrated this event. But apart from this, in many ways our
local civic picnics/festivals parallel the same sentiment. A similar format with a Basque mass to begin the
festivities followed by Basque dancing, singing, sports, etc. is the norm at many Basque-American
festivals. The connections between Catholicism and Basque culture is still very apparent at many of our
local gatherings.
Aberri Eguna is still celebrated today throughout the Basque country, including the
northern provinces that lie in France. Its significance can vary from group to group, but Aberri Eguna
remains a celebration of Basque culture and the recognition that the euskaldunak share a unique heritage
that deserved the place amongst the people and cultures of the world.
(SOURCES: Robert P. Clark, The Basques: The Franco Years and Beyond (Reno: University of
Nevada
Press, 1979); Stanely G. Payne, Basque Nationalism (Reno: University of Nevada Press, 1975);
Joe V.
Eigrren, The Basque History: Past and Present (Boise, Id: Offset Printer, 1972); Eusko
Jaurlaritzako Kultura
eta Turismo Saila, Eguna (Vitoria-Gastiez, Araba: Graficas Satamaria, S.A., 1990)]
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